Meta Ads · Blitz Growth, Melbourne

Meta stopped rewarding better targeting. It rewards better creative.

Advantage+ took the levers off audience targeting and handed them to the creative. Which means the agencies still selling you “audience strategy” are optimising a knob that no longer turns. We run Meta for Australian DTC and app brands with unlimited creative in the retainer and a system for knowing which concepts work - not just which ads did.
We'll pull your live ads from the Meta Ad Library before we speak, then show you which concepts are carrying your spend, what's fatigued, and what you haven't tested yet.
Trusted by the best brands
eatclub
mikrun
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capilano
le-wagon
vitable
bellssima
le-wagon
le-wagon
What's in the retainer

Unlimited creative. A system to read it. Media buying that acts on both.

Most Meta retainers cap your creative volume, then charge you per asset beyond it - which quietly caps your testing, which caps your results. Ours doesn't. Here's what that actually buys you.
01
Unlimited creative

No per-asset invoice. No testing ceiling.

Scripted video, creator content, statics, lo-fi, AI-assisted - as much as the testing plan calls for, inside the standard retainer. When creative volume isn't a line item you have to justify, you stop rationing the one input Meta actually responds to.
Video & scripted UGC
Statics & lo-fi
In-house team
No per-asset fees
The creative taxonomy

We test concepts, not just ads.

Every asset we produce is coded (IMG001, VDO001…) and tagged against a fixed taxonomy - format, hook type, angle, talent, offer - with AI doing the classification, so it stays consistent across thousands of assets instead of drifting in a spreadsheet. Join that to performance data and you can finally answer the question that matters: not “which ad won” but “which idea wins, and what should we make more of?”
Coded assets
Concept-level analysis
Quarterly reporting
Compounding learning
02
The Creative Roadmap

A structured map, not ad-hoc testing.

A structured map from top of funnel to bottom - which angles are saturated, which are untested, what gets produced next quarter and why. Testing stops being a series of hunches and becomes a plan you can see three months of.
TOF → BOF
Concept-level
Quarterly planning
Gap analysis
03
How we think about it

Why “which ad won?”
is the wrong question.

Say you run forty ads this quarter and three of them win. The standard agency report tells you which three. Useful - for about a fortnight, until those three fatigue and you're back to guessing.
The better question is why they won. Was it the hook style? The talent? The offer framing? The format? You can't answer that by looking at individual ads, because every ad is a bundle of a dozen variables at once.
So we code them. Every creative gets a code and tagged attributes, joined to performance data - read weekly for what to make next, and re-cut each quarter at concept level. Now the report says something durable: founder-to-camera hooks outperform creator hooks on cold traffic for this account, and problem-first framing beats product-first everywhere. That doesn't fatigue in a fortnight - it's a brief for the next quarter of production.
Unlimited

Creative volume, with no
per-asset invoice.

Creative production is included in the retainer rather than billed per asset. That matters more than it sounds: the moment volume becomes a cost conversation, testing gets rationed - and on a platform where creative is the main lever, rationing testing is rationing results. It's also why creative and media buying sit in one team here, with the loop running weekly rather than quarterly.
How it works

Diagnose,
produce, iterate.

01

Account & creative audit

Before we produce a single asset, we watch your creative and read it against the account: which concepts are carrying spend, which have gone stale, whether the structure is fighting the creative, and whether the offer is the real problem. Most accounts we look at have a creative problem being treated as a media buying problem.
02

Creative Roadmap + production

We map your creative against what the account has and hasn't tested, then produce against the gaps. Every asset ships coded and tagged, mapped to a testing hypothesis, with the media buying logic decided before it's shot.
03

Test, read, scale

Structured tests, read once the data is actually reliable - usually one to two weeks. Winners scaled into primary spend, losers documented against the taxonomy so the learning survives the ad. Quarterly, the whole set gets analysed at concept level to write the next roadmap.
Proven results

Real numbers.
Real brands.

-51%
Cost of acquisition on Partnership Ads versus UGC ads in the same account, averaged across 2023-24 at six-figure monthly spend.
Vitable - Sydney
12×
Blended return on ad spend for a national grocery-delivery brand across Australia and New Zealand.
MILKRUN - Meta & TikTok
~10×
Monthly revenue growth in the first three months, building a full-funnel Meta and Google engine from scratch.
Minti - growth curve
Built & sold
Our own DTC brand - Evercleaner, grown to $6M+ in revenue on Meta and TikTok and exited in 2025.
Blitz - our own money
Why Blitz

We've run the P&L,
not just the ad account.

We've built companies, raised $30M+, and exited multiple businesses - including Evercleaner, a DTC brand we founded, grew to over $6M in revenue almost entirely on Meta and TikTok, and sold in 2025. We've been the client. We know what it's like to watch a CAC number move and feel it in the bank account rather than the dashboard.
That shows up in unglamorous ways: we'll tell you when the problem is your offer rather than your ads, we'll argue with a ROAS target that's quietly shrinking your business, and we won't sell you a channel you don't need.

Unlimited creative, no asterisk

Included in the retainer. Testing volume shouldn't be a budget negotiation.

Concept-level reporting

Our AI-assisted creative taxonomy tells you which ideas work, so learning compounds instead of expiring with each ad.

One team, both halves

Creative and media buying under one roof. Faster loops, no briefing telephone game.

We operate as owners

We've built, scaled and sold our own DTC brand. Your P&L reads familiar to us.
In their words

They read the creative,
not just the campaign.

“What I love most about working with Blitz is their ability to adapt to trends - not just what they see in general market data, but specifically in our campaign results. They're constantly reading the creative performance data and adjusting our approach in real time. That responsiveness comes through on both the media buying side and the creative strategy side.”
Jamie Gagliardi - MILKRUN ★★★★★
Watch Jamie’s video →
The founders of EatClub, BRLO and Vitable are on camera too.
Questions

The things brands actually ask us.

What does a Meta ads agency actually do in 2026?

Less audience targeting than you'd think. Advantage+ and broad targeting have moved most of the performance levers into the creative itself, so the job now is producing enough varied, well-briefed creative to give the algorithm something to work with - and having a system to learn from what it does. Agencies still selling audience strategy as the core service are describing a job Meta largely automated.

How much should I spend on Meta ads in Australia?

We work with brands spending from around $15k/month across paid media. Below that, there usually isn't enough data velocity for structured creative testing to pay for itself, and you're better off with a leaner setup than an agency retainer.

What's the difference between UGC and Partnership Ads?

UGC ads run creator-style content from your brand's account - we script and produce ours in-house rather than collecting user submissions. Partnership Ads - Spark Ads on TikTok - run from the creator's own handle instead, with their name and following attached, and the content is usually less brand-planned as a result. Both formats ran in Vitable's account across 2023-24, and at six-figure monthly spend the Partnership Ads came in 51% below the UGC ads on cost of acquisition.

How long before Meta ads start working?

Month one is audit, roadmap and production, so expect diagnosis rather than a step change. Structured testing runs through month two. Compounding usually shows up around month three, once the creative taxonomy has enough data to say something durable about which concepts work for your account.

Do you handle creative production, or do I supply it?

We produce it. Scripted video, creator content, statics and lo-fi, in-house, unlimited within the retainer. If you have an existing creative team we'll work alongside them, but we'd rather brief and produce ourselves because the media buying data is what shapes the brief.

Can you run Facebook and Instagram ads together?

Yes - they're one platform for buying purposes. Placement strategy differs because Reels, Feed and Stories behave differently - the same idea needs a different cut for each, and some ideas only land in one of them.
Get started

Ready to find out what your creative
is really telling you?

Book a free 30-minute creative deep dive. We'll review your current Meta creative and account structure, and show you the concept-level gaps your reporting can't see. Not sure this is the channel that's holding you back? Start with all services instead.